The Physically Disabled Dancer and the Affirmative Model of Disability

This volume investigates the contributions and achievements of the physically disabled dancer while challenging and recognizing the inherent inequities in the field of integrated dance in the UK which currently places greater emphasis on the learning-disabled performer. This is the first book ever written by a physically disabled dancer on the subject of physically disabled dancers. Inherent in this examination is the model of examining disability that is most closely associated with the disability arts movement which is the 'affirmative model of disability'. This model is defined as an approach to disability in which the disabled person is neither an object of medical care nor a victim of social indifference but a self-respecting, autonomous individual in which their disability is a positive and affirming aspect of their self-identity. This book, based on interviews with physically disabled dancers, choreographers, academics and arts producers all in a UK context, combines a wide range of perspective of disability dance together with the intellectual rigour of disability studies to produce a new definition of the physically disabled dancer as an affirming, positive, indispensable practitioner of contemporary performance art. The volume pioneers perspectives of the physically disabled dancer prioritizing first-person accounts from the performers themselves to produce an unprecedented contribution to the study of disability arts from a uniquely British perspective. This book will offer educators as well as arts and cultural professionals a critical resource for facilitating work by and in alliance with practitioners of integrated dance.

Lawrence Shapiro has been a pioneering disabled dancer in his native Canada for over 20 years, is a validated Deaf and Disability Artist with the Canada Council for the Arts and a UK-published dance researcher whose writing on integrated performance has appeared in a variety of publications including Choreographic Practices, Canadian Scholars Press and the Dance Current.

Foreword Professor Sarah Whatley Preface Acknowledgements List of Figures 1. Introduction 2. The Affirmative Model of Disability Part I Interviews with Physically Disabled Dancers 3. Marketa Stranska: The Journey of the Amputee Dancer Candoco Dance 4. Suzie Birchwood: Dancing in and out of the Wheelchair Independent Dance Artist 5. Isolte Avila: Dancing with Limited Mobility Signdance Collective 6. Welly O'Brien: The Achievement of the Amputee Dancer Independent Dance Artist 7. David Grindley: Dancing with Cerebral Palsy Amici Dance Theatre Part II Academics 8. Professor Sarah Whatley: Leading the Way Centre for Dance Research, Coventry University 9. Dr. Kate Marsh: The Performing Scholar Centre for Dance Research, Coventry University Part III Choreographers and Arts Producers 10. Wolfgang Stange: The Way They Move Amici Dance Theatre 11. Ingrid Molinos: The Dance of Youth Young Amici 12. Colm Gallagher: Keeping Them Dancing Amici Dance Theatre 13. Alison King: Bringing It to the Public Turtle Key Arts Part IV Essays by Lawrence Shapiro 14. Re-imagining the Affirmative Model and the Physically Disabled Dancer 15. Into the Future Appendix 16. A Conversation with Lawrence Shapiro Index