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"A period novel, a love story, a story of initiation, a psychological novel, a political novel, a novel about fathers and sons, a novel about creating readers and not writers, a sad novel that brings joy, a joyful novel that brings sadness. I'd say thank you, but that isn't enough. I'll say it anyway: Thank you for writing this. It will stay with me for a long time." - Leila Guerriero. A virus is spreading around the world, causing people to forget everything and lose all belief in yesterday. Through it all, Land - making and unmaking memories - moves through his own story and those of the people around him, hacking their childhood, adolescence and adulthood across three Great Cities. Welcome to REC, REW and PLAY without STOP; books stolen, abandoned or destroyed; hypnotic parties and trance-like funerals; sleepless parents who want to be their children's best friends and children who dream only of being able to sleep; Big Vaina and Nome; love affairs that don't kill or die but instead are immortalized forever; ghostly writers and untrustworthy readers; and truths, lies and secrets written or corrected in blue and red" --
Rodrigo Fresán nació en Buenos Aires en 1963 y vive en Barcelona desde 1999. Es autor de los libros Historia argentina, Vidas de santos, Trabajos manuales, Esperanto, La velocidad de las cosas, Mantra (Premio Nuevo Talento Fnac 2002), Jardines de Kensington (Premio Lateral de Narrativa 2004, finalista Premio Fundación José Manuel Lara), El fondo del cielo (Locus Magazine Favorite Speculative Fiction in Translation Novel 2018, USA) y del tríptico La Parte Contada, compuesto por La parte inventada (Best Translated Book Award 2018, USA), La parte soñada y La parte recordada. El jurado de Best Translated Book Award alabó La parte inventada con la citación: «Fresán es un maestro'. En 2017, Fresán recibió en Francia el Prix Roger Caillois a la totalidad de su obra por ser un «escritor atípico, transgresor e ineludible'.
