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Walter Benjamin, one of the foremost cultural commentators and theorists of this century, is perhaps best known for his analyses of the work of art in the modern age and the philosophy of history. Yet it was through his study of the social and cultural history of the late nineteenth-century Paris, examined particularly in relation to the figure of the great Parisian lyric poet Charles Baudelaire, that Benjamin tested and enriched some of his core concepts and themes. Contained within these pages are, amongst other insights, his notion of the flaneur, his theory of memory and remembrance, his assessment of the utopian Fourier and his reading of the modernist movement.
WALTER BENJAMIN (1892–1940) was a German-Jewish philosopher, cultural critic and essayist associated with the Frankfurt School of Critical Theory. Among his best-known works are ‘The Work of Art in the Age of Mechanical Reproduction’, ‘Theses on the Philosophy of History’ and essays on Kafka, Proust, Baudelaire and the storyteller. His masterwork, the Arcades Project, which intended to present a cultural theory of modernity through a study of nineteenth-century Paris, remained unfinished at his death.
