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Nasil bir renk, tini ve yapi zenginligi 1970 yilinda Istanbulda dogan Kemal Dinc, bugün baglamanin en seckin icracilarindan biri sayiliyor. Dinc bu calismayla bütün maharetini sergileyerek bir ölcü ve -gercekten- ustaca bir sunum ortaya koyuyor. What an abundance of colors, sounds and textures Kemal Dinc, born in 1970 in Istanbul Turkey is today considered as one of the outstanding performers for the turkish Saz. He sets new standards with this recording and shows his skills - he truly achieves everything on his instrument -Dieter Kreidler- Kemalin bu eseri, öncekine göre daha soyut. Duygu dilinin anlatim gücünü asan metaforlarla dokunmus, incelikli ve bir o kadar da sasirtici bir eser. Kemals latest CD is more abstract than the previous one. Its beyond the power of the language; woven by metaphors, surrounded with nuances and a work that is much more surprising. -Muzaffer Orucoglu- Bütün parcalar bestelenmis ve notalanmis olmasina ragmen, su an cok az sayida baglama icracisi bunlari tam olarak calabilecek durumdadir. Bu parcalardaki baglama ve gitar tekniklerinin karisimi, cok kisisel ve muhtemelen cok da iddiali. Geleneksel Anadolu suslemelerinden ziyade, cagdas gitar müziginden cok sayida teknik barindiriyor. Although all the pieces are composed and notated, there are at present very few baglama players able to perform them to their fullest. The blend of baglama and guitar techniques in these pieces is bold, and very personal. Traditional Anatolian ornaments appear only very occasionally. -Dr. Martin Greve- Kemal Dincin su andaki beste koleksiyonu, bu gelenege iliskin olarak en iyi anlamda böyle bir ansiklopedik koleksiyondur. Eseri, su an itibariyle artik yalnizca Anadolu halk müzigi enstrümani olmayan ve ayrica keman gibi tam anlamiyla evrensel bir müzik enstrümani olan, farkli stiller arasinda kendine yer edinen oldukca popüler olan baglamayi yeniden tanimliyor. The present collection of compositions by Kemal Dinc is such an encyclopedic collection, in the best sense of this tradition. His work now redefines the vastly popular baglama, as of now no longer being solely an Anatolian folk-music instrument but becoming a truly universal musical instrument, such as the violin, which has found its place among many and vastly differing musical styles. -Oscar van Dillen- Kitapta yer alan eserlerin CD ve DVDsi Kalan Müzik tarafindan yayinlanmistir.
